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ISBN:	1587157195 (ISBN13: 9781587157196)
Edition Language:	English

Time and the Gods

Lord Dunsany

Paperback | Pages: 120 pages

Rating: 3.88 | 784 Users | 55 Reviews

Declare Epithetical Books Time and the Gods

Title	:	Time and the Gods
Author	:	Lord Dunsany
Book Format	:	Paperback
Book Edition	:	Deluxe Edition
Pages	:	Pages: 120 pages
Published	:	September 15th 2002 by Borgo Press (first published 1906)
Categories	:	Fantasy. Short Stories. Fiction. Classics. Mythology

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Most fantasy enthusiasts consider Lord Dunsany one of the most significant forces in modern fantasy; his influences have been observed in the works of H.P. Lovecraft, L. Sprague de Camp, Fritz Leiber, Jack Vance, and many other modern writers. Time and the Gods is Dunsany at his peak of his talent. The stories here are a lush tapestry of language, conjuring images of people, places, and things which cannot possibly exist, yet somehow ring true. Together with Dunsany's other major collections, The Book of Wonder, A Dreamer's Tales and Tales of Three Hemispheres, they are a necessary part of any fantasy collection.

Rating Epithetical Books Time and the Gods

Ratings: 3.88 From 784 Users | 55 Reviews

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Fantastic classic tales by Lord Dunsany... according to the preface:"These tales are of the things that befel gods and men inYarnith, Averon, and Zarkandhu, and in the other countriesof my dreams."...for those who love to occasionally drift away from reality...Available online here: http://dcc.vu/Media/E-Books/Lord%20Du...

Basically like The Gods of Pegana only moreso. Again, these are primarily vignettes or prose poems or fables rather than anything resembling more traditional stories -- those will start appearing in his next book, The Sword of Welleran and Other Stories. Again, filled with lovely King James prose and beautiful, evocative names and again not a great jumping-in place if you've never read Dunsany before.

This is a fever dream, a collection of fantastical stories, some of which feel cribbed from somewhere, but I'm not sure exactly where. It's probably because almost every fantasy writer out there, whether they know it or not, have been cribbing from Dunsany. It's all just so weird, a world of many gods, prophets, personifications of concepts. Because of the age it was written in, it's a bit florid, but it's well worth checking out the place where fantasy really began.

The gods of Lord Dunsany's exquisite imagination never had it easy.First of all their 'swarthy servant' Time, destroyed their price and joy, the marble city of Sardathrion, without their knowledge. Then a new god called Slid (the seas) came down from the sky to colonize their planet and only the intervention of Tintaggon, an impenetrable black wall, saved the day.Even when they slept they weren't safe as three malign spirits called Yozis attempted to take their place in the affections of man.

These are the tales of the hubris of gods and men - and of Time, that servant with no master, who evermore looms, and lurks, and waits, his hands red with blood.Edward John Moreton Drax (daaamn, I want these middle names) Plunkett, Baron of Dunsany, proves himself not a writer, but a wright of made up mythology (ignore paradoxicality of statements)... His tories realy have the weight, that not quite describable gravitas of actual myth - only with the thematic coherence providable only by a

Lord Dunsany is one of the most remarkable authors to have ever lived. If not in the way he wrote his prose, then in the way he lived his life as an adventure. And from this sense of adventure he developed a most remarkable perspective on the universe and fantasy. From this perspective he wrote a new mythology full of childish wonder, simplicity and also beauty. There is an aesthetic of delight to be found in Time and the Gods and it is this aesthetic which is so very appealing to read."And as a

Paradoxical tales of the gods on a world out of dreams.These were strange, oddly moving little myths of an imaginary world. Oddly moving because they were so horrific and twisted, with people longing to follow gods that laughed at their cruel deaths, that sort of thing. I got the feeling that the author hated his own creations. The openings of each of the stories was so offputting that I'd finish one and have to stop and work myself up to reading another. And the style was o thou fake