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Original Title:	The Regeneration Trilogy
ISBN:	0670869295 (ISBN13: 9780670869299)
Edition Language:	English
Series:	Regeneration #1-3

The Regeneration Trilogy (Regeneration #1-3)

Pat Barker

Hardcover | Pages: 592 pages

Rating: 4.38 | 2139 Users | 136 Reviews

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Title	:	The Regeneration Trilogy (Regeneration #1-3)
Author	:	Pat Barker
Book Format	:	Hardcover
Book Edition	:	Anniversary Edition
Pages	:	Pages: 592 pages
Published	:	January 1st 1996 by Viking Books
Categories	:	Historical. Historical Fiction. Fiction. War. World War I

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The novelists who wrote immediately after the war (or even during it) – Barbusse, Remarque, Manning, even Hemingway – were concerned mostly with getting down the facts: recording the realities of modern warfare before they allowed themselves to forget, before the details became incredible. Writers of subsequent generations cannot write what they know, and they need to do something else – bring some higher assessment of how people, and society, reacted to this cataclysm overall. Doing this badly, or not even bothering, is what has frustrated me about other modern novels set around 1914–18. It was interesting coming to this one after recently reading Thomas Keneally's The Daughters of Mars, a book in which the two central characters are female and yet where there was frustratingly little examination of how the First World War affected men and women and their social and sexual interactions. The main characters in the Regeneration trilogy are all men, but one of the things I loved most about it was its constant attention to sexual politics and the radical shifts that this period saw in wider society. I had been expecting a constrained, clever-clever novel spun around the literary footnote that was the meeting between Siegfried Sassoon and Wilfred Owen in hospital in 1917. You get that, but there's a lot more here than just lit-historical geekiness. What I wasn't expecting was the delicate infusion of what you might call feminist psycho-sociology: a fascinating exploration of the ways in which men's struggle to deal with trauma is so deeply linked to issues of gender.

Fear, tenderness – these emotions were so despised that they could be admitted into consciousness only at the cost of redefining what it meant to be a man.

Which is one of the things that 1914–18 indeed did. Barker draws out the irony that women were suddenly forced into much more active roles during the war, while men, shipped off to ‘active’ service, in fact found themselves squatting motionless in ditches for ninety percent of the time, before being routinely slaughtered, as Owen famously put it, like cattle.

The war that had promised so much in the way of ‘manly’ activity had actually delivered ‘feminine’ passivity […]. No wonder they broke down.

And again:

Any explanation of war neurosis must account for the fact that this apparently intensely masculine life of war and danger and hardship produced in men the same disorders that women suffered from in peace.

This sexual mercuriality is exemplified in the character of Billy Prior, who emerges as a conflicted, damaged antihero in the second book of the trilogy (where Barker just about manages to keep her inclination to melodrama under control). His violent swings between, on the one hand, domestic happiness, and on the other a sort of self-hating sadistic bisexuality (he describes himself memorably after one encounter as a ‘seminal spittoon’), are set against the backdrop of London's brief ‘cult of the clitoris’ scandal. Prior's girlfriend is awesome. The last thing I expected when I picked this book up was to listen in on a group of Geordie munitionettes telling a joke about a prostitute.

‘He says, “How much is that?” I says, “7/6.” He says, “Hadaway and shite,” and when I come back he'd gone.’

God knows what non-Brit readers make of all this. I am not sure where Pat Barker's from, and I'm too lazy to do even the most rudimentary research, but she nails the dialect, the intonations, the chattiness of these conversations – and from this base she builds a whole social critique into the novel. Some reviewers (I notice) have found this stratum unconvincing, but for me the attempt to examine social change is what lifts this book above its peers. Prior reflects, for instance, that the reaction working-class men have to the trenches is very different from that of the upper class officers – for him and those he knows,

the Front, with its mechanization, its reduction of the individual to a cog in a machine, its blasted landscape, was not a contrast with the life they'd known at home, in Birmingham or Manchester or Glasgow or the Welsh pit villages, but a nightmarish culmination.

In the third book this bird's eye view of British society zooms out even further, by means of a sustained juxtaposition with the tribal society of a group of Melanesian islanders once studied by WHR Rivers, the (historically real) doctor that has been treating Prior. This narrative technique is so audacious, so weird, that at first I didn't really know what to make of it; mostly, I'm just impressed. And I think it's the right decision. I mean if you're a writer, and you know that one of your characters was an anthropologist who studied tribes in Oceania, then I think you have to pursue this and look for parallels – but to see this in action is quite amazing, it's just so very far, at least at first glance, from the world of trench warfare that you can hardly believe Barker attempted it. Rivers is indeed the calm, still centre of this trilogy (despite some troubled waters of his own), and the way this figure has been recreated in these pages is for me the most impressive achievement of the books. Barker got the Booker Prize in '95 for The Ghost Road, the third novel; but this is a bit of a catch-up job, like giving Peter Jackson the Oscar for Return of the King when he should have won it for Fellowship. The whole trilogy is great though – psychologically astute, hugely wide-ranging, very readable, a perfect example of how writing about conflict from a century ago can still be a way of telling us things about how we think about each other, and about ourselves, today.

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Ratings: 4.38 From 2139 Users | 136 Reviews

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It was with great anticipation that I turned my inquisitive reading mind towards Pat Barkers 1st WW extravaganza The Regeneration Trilogy. The paperwork version, of this former booker prize winner, boasts just under a 900 page word count and demands some serious attention and dedicated reading time. Having recently reread and loved Sebastian Faulks monumental Birdsong, I was hopeful that Regeneration would provide equal if not better stimulus.In reality The Regeneration Trilogy (as the name

The first novel in this trilogy presents us with victims of "shell shock" and other "war neuroses" being treated Craiglockhart Hospital in Edinburgh during WWI. Barker bases some of her characters on historical figures such as poets Siegfried Sassoon and Wilfred Owen and the man who led their treatment. Some of the details are brutal, but the writing is excellent, the characters Barker creates compelling. The inclusion of female munitions workers adds a perspective not usually found in either

Hard hitting, thought provoking and moving, this is an excellent trilogy set during the First World War. It deals largely with the psychological effects/trauma that the war had on the men who fought as well as various social issues of the time. These are books that do not shy away from the life-changing impact that the war had on the people involved and they make for some very emotive reading. The amount of research that Pat Barker has done into the subject is astonishing and the whole thing

I found this book hard going but I felt the need to finish it. There are quite a few different story lines each portrayed in great depth and very dipictive. Some parts very graphic and not for the faint hearted reader. Interesting to know that some of the characters did exist. I really felt I knew each character really well by the end. It does give you a real atmospheric read of what it must have been like for those who endured WW1.

Absolutely brilliant must-read especially for anyone interested in World War One and shell shock. An unsentimental, raw and intimate trilogy featuring historically accurate figures such as war poets, Sigfried Sassoon and Wilfred Owen, and anthropologist/doctor W.H.R.Rivers. Read it!

Grim, just awful. I've given it 2* because I did get through it, interested to discover what happened to her OCs - so that's a big plus for Barker. Everything else is a minus.I suppose it's not Pat Barker's fault she wrote this before Max Egremont got access to Sassoon's diaries for Siegfried Sassoon: A Life or Cambridge University Press published them, but Sassoon's autobiographical The Complete Memoirs of George Sherston had been around for 70 years and are much more worthwhile to read. Not to

I just finished the first book of the trilogy, entitled "Regeneration." I have mixed feelings about it. The story focuses on the treatment of World War I soldiers who have experienced psychiatric breakdowns and disorders as a result of the horrors of war. There is also an underlying discussion of the morality and ethics of war itself. On the one hand, I enjoyed learning a little bit about the emerging views of post-combat psychiatric trauma, and I appreciated the fact that several of the